by Andrew Maxfield
January 16, 2018
In December 2017, BYU Symphonic Band (Kirt Saville, director) premiered my “recomposition” of “Sussex Carol” with soloists Diane Reich and Robert B...
by Andrew Maxfield
January 8, 2018
I’m terrified (and delighted) to announce that I’ve been commissioned by the Mormon Arts Center in New York City to create a new concert work for t...
by Andrew Maxfield
December 16, 2017
Celebrating Wendell Berry in Music was reviewed in the Nov/Dec 2017 issue of Fanfare magazine. The review is reprinted here with permission.
A. M...
by Andrew Maxfield
November 2, 2017
I’m delighted to announce that UtahPresents has commissioned the exclusive premiere engagement of The Bridge, a contemporary ballet I helped to inv...
by Andrew Maxfield
October 25, 2017
Since the release of Celebrating Wendell Berry in Music , a number of people have asked me about the process of writing choral music—or, more specifically, my process. Here’s the story of one piece: “For the Future.”
by Andrew Maxfield
October 11, 2017
I recently had the pleasure of joining, via Skype, a rehearsal of the Penn State Concert Choir, directed by Christopher Kiver. They’re performing “...
by Andrew Maxfield
July 28, 2017
I’m delighted and grateful to announce that I’ve received a commission from the Barlow Endowment for Music Composition. Thanks to this opportunity,...
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In December 2017, BYU Symphonic Band (Kirt Saville, director) premiered my “recomposition” of “Sussex Carol” with soloists Diane Reich and Robert B...
I’m terrified (and delighted) to announce that I’ve been commissioned by the Mormon Arts Center in New York City to create a new concert work for t...
Celebrating Wendell Berry in Music was reviewed in the Nov/Dec 2017 issue of Fanfare magazine. The review is reprinted here with permission. A. M...
I’m delighted to announce that UtahPresents has commissioned the exclusive premiere engagement of The Bridge, a contemporary ballet I helped to inv...
Since the release of Celebrating Wendell Berry in Music, a number of people have asked me about the process of writing choral music—or, more specifically, my process. Here’s the story of one piece: “For the Future.”
I recently had the pleasure of joining, via Skype, a rehearsal of the Penn State Concert Choir, directed by Christopher Kiver. They’re performing “...
I’m delighted and grateful to announce that I’ve received a commission from the Barlow Endowment for Music Composition. Thanks to this opportunity,...
